Mansi Trivedi's work formulates through a deep respect for nature through the world of textures and patterns. Be it the bark of a tree or the rugged surface of an ant hill, the thrill of creating an art piece with the same tactile quality using material of choice has been her decade long journey of experiments and learning. Further manifestation into the play of negative and positive spaces, light and shadow, tonal variations, and magnification for detail made it more challenging and interesting. This process and style of work enables her to engage deeper with patterns and forms in nature and carry on with the study of marks and remnants of natural

Born in 1964, Manisha Parekh is a distinguished artist known for her commitment to abstraction. She holds a Master’s degree in Painting from both the Royal College of Art in London (1991-93) and M.S. University in Baroda (1983-1990). As one of the founding members of Khoj International Artists Workshop, Parekh has been a vital part of India’s contemporary art scene. Her work stands out in India today for its purely abstract language, drawing on influences from the ethereal minimalism of Gaitonde, the precise geometry of Nasreen Mohammedi—one of her teachers in Baroda—and the expressive ink drawings of Jeram Patel. Parekh’s practice is also deeply rooted in the

Divya Singh's art  practice is primarily rooted in painting and explores themes such as isolation, experience, memory and mortality – emanating largely from a poetic engagement with Time. Mediums such as photography, writing, cinema and painting are at the center of her language as a practitioner and have featured as important categories of both work and interest. These varied elements come together within the work and can be seen most distinctly in the artist books made by her, as well as in found imagery which accompanies the paintings and other media during

Born in 1939 in Gujarat, Manu Parekh completed a Diploma in Drawing and Painting from the Sir J.J. School of Art, Mumbai, in 1962. Parekh’s early work explored the relationships between man and nature, as according to him, this was an energetic link that had to be celebrated. The artist also points out that, since then, contradictions have formed the basis of his artistic practice, no matter the subject or genre of his works. Banaras as a city came to play an integral role in Parekh’s work after his first visit there following his father’s death. This holy city of hope, of faith, of tourists offered him a vast number of contradictions in one location. Parekh also

Pranati Panda, born in 1974 in Bhubaneswar, Odisha, is an artist whose work delves deeply into self-reflection. She completed her BFA at B.K. College of Arts and Crafts, followed by an MFA from the Delhi College of Art. In her art, Pranati often places herself at the center of a personal exploration, using abstraction and storytelling to examine her own philosophies on life. Her process is highly meditative, with her signature threadwork reflecting her commitment to the meaning found in labor and the pursuit of open-ended questions. In 2019, she held her first solo exhibition, *Speaking Threads*, at Vadehra Art Gallery in New Delhi. Pranati has also been featured in many other exhibitions,