Ekta Singha's practice delivers upon personal interpretation of layers of experiences woven with paraphernalia of design motifs, forms and elements derived from miniature paintings. Her interest in Mughal, Persian and Rajput miniature paintings allow her to develop an independent language that makes its entrance in a pictorial surface that is layered with metaphorical and personal references. The miniature visual elements help her to create the desired pictorial

Prabhu Harsoor (1962) has been reflecting on forms that transpire between the abstract and the figurative and acquire a visual language that is particularly his own. He has several visualisations from his memories that have given his works a special treatment in the realm of the distorted from that of the concrete. Some of his abstractions are similar to a linguistic script and are deliberately engaging with the idea of the formation of a language. Very evocative of the famous Indian modernist Artist Vasudeo S. Gaitonde's works, Harsoor explores alphabets as he visualises them and, in the process, engages with the idea of the artistic practice of script-making and the lingering

Roy K John (1977) reminds his viewers of the avant-garde art movement in France that came into prominence during the post-impressionist's era. Newer styles were being applied to newer ways of looking at the world beyond the borders of the country, when artists, like Henri Rousseau, made big contributions to the art world. John's art elaborates on his own identity as a resident of the tropical parts of the world and politically claim the flora, faunas, fruits, and the animals that are particularly important to Indian forests. The richness of the jungles along with the richness of John's colour palettes make a very interesting composition on the canvas. These works speak of the luscious

Prabhu Harsoor (1962) has been reflecting on forms that transpire between the abstract and the figurative and acquire a visual language that is particularly his own. He has several visualisations from his memories that have given his works a special treatment in the realm of the distorted from that of the concrete. Some of his abstractions are similar to a linguistic script and are deliberately engaging with the idea of the formation of a language. Very evocative of the famous Indian modernist Artist Vasudeo S. Gaitonde's works, Harsoor explores alphabets as he visualises them and, in the process, engages with the idea of the artistic practice of script-making and the lingering

Mansi Trivedi's work formulates through a deep respect for nature through the world of textures and patterns. Be it the bark of a tree or the rugged surface of an ant hill, the thrill of creating an art piece with the same tactile quality using material of choice has been her decade long journey of experiments and learning. Further manifestation into the play of negative and positive spaces, light and shadow, tonal variations, and magnification for detail made it more challenging and interesting. This process and style of work enables her to engage deeper with patterns and forms in nature and carry on with the study of marks and remnants of natural